A highlight of this special features Middleditch doing an exaggerated New York City accent while Schwartz points out that he is from New York City and yet doesn’t sound like that. Lastly is “Dream Job”, where the “wait, who am I right now?” reaches its peak and the modern job market (the audience member is awaiting news about a second interview for an internship) gets skewered while comedy photography goes up against warzone photography and no one wants to be a gazelle. An important law school final exam becomes a flood of movie references, pairs of students with the same name (remembering the names of the various characters is possibly the toughest thing for Middleditch and Schwartz to do, and it’s funny every time they catch it), and a mystical closet. The second special, “Law School Magic” starts the shakiest of the three, perhaps because the chosen audience member gives so much information that working it all in seems like it might be impossible. Will the happy couple get hitched? Who will ultimately be the best man? What leads up to (and from!) the best line of all three specials: “You can’t just say you’re a ghost and then disappear!!” The first, “Parking Lot Wedding”, begins with a groom having a simple case of the nerves on his wedding day, but soon there are secrets revealed, parents who aren’t handling things well, a spurned lover from the past, and a ghost all conspiring to throw a wrench in the works. The “getting suggestions” portions of the shows are the most uncomfortable: while they provide excellent fodder and both Middleditch and Schwartz are great while listening to these stories, there’s a distinct feeling of “book signing Q & A” and all of the social awkwardness therein. The pair quizzes one audience member per special and crafts the proceedings around that person’s story. The three one-hour specials were filmed at the NYU Skirball Center for the Performing Arts and are completely improvised. With that in mind, I won’t describe Middleditch & Schwartz, Netflix’s new trio of comedy specials featuring Thomas Middleditch and Ben Schwartz in too much detail, except to say that they’re hilarious. What brings one person to tears leaves another stone-faced, and describing comedy, particularly in words, is a whole other issue entirely. Thomas Middleditch and Ben Schwartz bluff their way through a trio of uproarious specials that teeter on the edge of chaos, like long-form improv should.
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